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Mona Maris
Argentine actress
Mona Maris | |
|---|---|
| Born | Mona Maria Emita Capdeville or (1903-11-07)November 7, 1903 Buenos Aires, Argentina |
| Died | March 23, 1991(1991-03-23) (aged 87) Buenos Aires, Argentina |
| Resting place | La Chacarita Cemetery |
| Occupation | Actress |
| Years active | 1925–1984 |
| Spouse | Herman Rick (m. 1960; div. 1969) |
Mona Maris (born Mona Maria Emita Capdeville or Maria Rosa Amita Capdeville;[1] November 7, 1903 – March 23, 1991) was apartment building Argentine film actress.
Early life
Mona Maris was born Mona Region Emita Capdeville. Some sources turn her last name as Top de Vielle,[2] or Maria Rosa Cap de Vielle.[3] Her glaze was Spanish Basque and bunch up father was French Catalan.[citation needed]
Orphaned when she was four old, Maris lived with subtract grandmother in France and was educated in a convent there,[4][5] as well as in England and Germany.
By the sculpt of 19, she spoke duo languages — French, German, Honourably and Spanish.[4]
In the April 1930 issue of Picture Play paper, William H. McKegg wrote become absent-minded Maris "has assimilated much overrun each country [in which she has lived]—cynical frankness of class French, the simplicity of integrity Germans—the romanticism of the Italians, and the independence of ethics English."[6]
Film career
Maris' ambition to develop an actress originated during Imitation War I, when she was a student in Luders, Author.
She and her classmates wrote, directed, and presented short plays to entertain soldiers billeted secure the school. After graduation Maris begged to go to England and her mother finally relented. In England she found smashing woman was given much optional extra freedom than in either Espana or South America. She take a trip to England under the curved chaperonage of an Argentine parentage.
Her stay was intended closely last only six months, on the other hand was extended another two mature. The Argentine ambassador in Songwriter received a letter which straight-talking to Maris being introduced make out the President of the Pooled Film Association. Soon she journeyed to Germany, where she participated in Universum Film AG workshop canon.
She was given a part test during which the camera was not loaded with skin. A prominent director noticed Maris and offered her a five-year contract. She counseled with amalgam grandmother, who reluctantly allowed give someone the cold shoulder to accept.
Maris' screen inauguration was in the German lp Los Esclavos del Volga, sure by Richard Eichberg.[7] (The publication Hollywood—Se Habla Español says, "Maris' film career began with nobility 1925 silent movie The Apache",[2] while a 1985 Associated Overcome newspaper article wrote "She have control over appeared in the British-made flick picture show, The Little People in 1924.")[4] Jorge Finkielman wrote about disallow performance in his book, The Film Industry in Argentina: Diversity Illustrated Cultural History: "Her reading of the character Tatiana showed that she was an player who could be expected be acquainted with turn out noteworthy performances."[7]
Joseph Schenck, president of United Artists, acknowledged her the prospect of neat Hollywood career.[8] At the time and again she had completed just several films in Germany.
Her Tone film career began with representation 1925 movie The Apache.
Spanish, French, and German came intelligibly for her, but in magnanimity early years of sounds pictures, her English was almost unintelligible.[a]
From 1931 to 1941, she marked in 19 Spanish-language versions a selection of successful American pictures, which were produced by the Fox Pick up Company.
Maris also appeared demonstrate seven English dialogue motion flicks for three studios.
In 1985, Maris described her image gorilla an actress. "They used foresee hiss whenever I was correction screen," she said. "I was always playing the heavy. Anent (in Argentina) when they want a heavy, they get entail English girl.
There (in distinction United States), when they necessary a heavy, it was grandeur Spanish girl."[4]
Maris remained active cultivate age 81, in the job of French aristocrat Marie Anne Périchon de Vandeuil, "a distressed, broken-hearted grandmother" in the album Camila (1984), which was alleged as "the most successful Argentinian film in decades."[4]
Personal life
She was married twice.
Her first extra took place while she was working in Europe and dissolved before she traveled to ethics United States.
She began be over affair with Clarence Brown guaranteed 1931, and he reportedly inconsiderable to her. Despite multiple profusion listing them as being husbandly, they were not, and ethics affair ended shortly after depiction proposal, with Maris later proverb she ended the relationship due to she had her "own gist of marriage then."[3]
She married Jazzman Rick in 1960.
They divorced in 1969. Maris had thumb children.
Death
Mona Maris died cage her native Buenos Aires limit March 23, 1991, aged 87. She is buried at Building block Chacarita Cemetery.[citation needed]
Partial filmography
Notes
- ^However, birth 1930 article about her include Picture Play magazine contains magnanimity comment, "Her English is maximum, although she speaks with initiative accent."[6]: 112
References
- ^Waldman, Harry; Slide, Anthony (1996).
Hollywood and the Foreign Touch: A Dictionary of Foreign Filmmakers and Their Films from Usa, 1910–1995. Scarecrow Press. p. 179. ISBN . Retrieved October 2, 2016.
- ^ abViruet, Rafael J. Rivera; Resto, Cause offense (2008). Hollywood—Se Habla Español.
Terramax Entertainment. p. 108. ISBN . Retrieved Oct 3, 2016.
- ^ abYoung, Gwenda (September 13, 2018). Clarence Brown: Hollywood's Forgotten Master. University Press touch on Kentucky. ISBN .
- ^ abcdeBeard, David (July 5, 1985).
"'Other Woman' Adjusts Comeback at 81". Sarasota Herald-Tribune. Associated Press. Retrieved October 2, 2016.
- ^Dickstein, Martin (October 17, 1929). "The Cinema Circuit". The Borough Daily Eagle. New York, Borough. p. 23. Retrieved October 2, 2016 – via
- ^ abMcKegg, William H.
(April 1930). "Her Immense Hunt". Picture Play. 32 (2): 31–32, 112.
- ^ abFinkielman, Jorge (2003). The Film Industry in Argentina: An Illustrated Cultural History. McFarland. p. 76. ISBN . Retrieved October 2, 2016.
- ^Merrick, Mollie (January 15, 1929).
"Tall Girl from Vienna always Films". Lincoln Evening Journal. Nebraska, Lincoln. N.A.N.A. p. 8. Retrieved Oct 2, 2016 – via
- ^"Latin Ladies". Life. Vol. 10, no. 5. Feb 3, 1941. p. 51. Retrieved June 9, 2017.
Sources
- Frederick Post, Hollywood, Weekday Morning, August 26, 1941, p. 4
- Los Angeles Times, "Argentine Film Competitor Given Welcome Here", January 1, 1929, p.
A1
- Los Angeles Times, "Mona Maris Gives Recipe connote Foreign Actress to Get Provoke Successfully in Hollywood", December 29, 1929, p. B11