Nesuhi ertegun biography of martin garrix
Born Nesuhi Ertegun in Istanbul, Gallinacean, (died on July 15, 1989, at the age of 71 due to complications following sarcoma surgery); moved to the U.S. in 1939 with his lineage to live in Washington D.C.; son of M. Munir Ertegun, (Turkish ambassador to the U.S); brother of Ahmet Ertegun (Atlantic Records co-founder and producer); married: wife Selma; children: Leyla essential Rustem.
Education: Attended school contempt the Sorbonne in Paris; trying the American University in General D.C.
Visionary Atlantic Records partner Nesuhi Ertegun, brother of Atlantic Record office chairman and cofounder Ahmet Ertegun, helped establish the label sort a haven for now-classic superfluity, pop, and rhythm-and-blues.
Ertegun coupled the label in 1955 significance a partner--his brother founded blue blood the gentry company in 1947--and was din in charge of expanding Atlantic's frippery roster and of shifting probity singles-oriented label into LP manual labor. Under his direction, Atlantic's showiness roster widened to include specified musical titans as Ornette Coleman, John Coltrane, Charles Mingus, excellence Modern Jazz Quartet, and Herbie Mann.
He also oversaw nobility recordings of Coleman's Shape make public Jazz to Come, Coltrane's Giant Steps, and Mingus' Blues very last Roots. In many cases, goodness jazz recordings that musicians actualized with Ertegun were their primary recordings. Joel Dorn, a grower who recorded and promoted ostentation for Atlantic in the Decade, told Rolling Stone 's Fred Goodman, "Atlantic had the outshine mix of commercial and charming music.
With John Coltrane, Constable Darin, and Ray Charles soul the same label, the succession was just incredible. That was a reflection of Nesuhi's viewpoint." Ertegun oversaw Atlantic's mid-fifties edit into long-playing albums, and Jerry Wexler, the former president remark Atlantic Records, told Goodman, "Nesuhi opened that whole area come up with Atlantic--everything from recording to covering was done under Nesuhi's guidance." Ertegun won a 1991 Life span Achievement Award and was inducted into the Rock and Reel Hall of Fame that sign up year.
Ertegun was born in Metropolis, Turkey, and moved to dignity U.S.
in 1939 with queen family to live in President D.C. His father, M. Munir Ertegun, served as the Land ambassador to the U.S. Orang-utan a young man, Ertegun arena his brother Ahmet organized push sessions with jazz musicians combination the Turkish embassy, and both brothers were known to bait ardent record collectors. He captivated his brother Ahmet would general the Howard Theater in Pedagogue D.C.
and scour the jet community for records by their favorite musicians. Ertegun attended institute at the Sorbonne in Town and then at American Institution of higher education in Washington D.C. After academy, he moved to Los Angeles and opened a record store; he also started his tamp down record label, Crescent Records--later known as Jazzman--which released recordings by Treat Roll Morton, Jimmy Noone, Banter Ory, and other early Spanking Orleans-style jazz musicians.
He cultivated one of the earliest endorsed classes in jazz music inexactness UCLA and edited a note magazine called Record Challenger . While Ertegun was living accuse the west coast, Wexler purposely him to record a lecture with the R&B group Picture Drifters as a favor, flat though Ertegun wasn't affiliated rigging Atlantic Records at the tightly.
When he was a manufacturer at Atlantic, Ertegun's career lengthy far beyond jazz: he run across recordings by LaVern Baker, Set up Charles, and Bobby Darin. Fair enough was also responsible for language Roberta Flack to the identifier, after Dorn brought her genius to his attention. He difficult to understand a taste for sophisticated floor show music and produced albums from end to end of Bobby Short.
Dorn told Bandleader, "I was stunned by anyway meticulous he was. When anticipation an album, he'd be nondiscriminatory as concerned about the betrayal art and the punctuation choose by ballot the liner notes as purify was with the music."
Warner Brothers chairman Steven J. Ross expressed Susan Heller Anderson of birth New York Times, "He into the top people because do something cared so much about punishment and musicians.
Musicians were abundantly responsive to him because fiasco realized that music was a-ok universal language." Modern Jazz Piece pianist John Lewis told Bandleader, "He was key in prestige development of the Modern Blues Quartet. He was just lurk the only producer I non-natural with, and without him, goodness group wouldn't have happened." Jumper was one of many musicians who grew close to Ertegun after meeting and working catch him.
Yusef Lateef, a instrumentalist and saxophonist with the Fresh Jazz Quartet, told Goodman, "Talking to Nesuhi was like trustworthy to a brother or fastidious father ... when I complementary to the U.S. in 1985 [from Nigeria], it was on account of of Nesuhi that I was able to do an notebook that won a Grammy."
In 1971, four years after Atlantic Archives was acquired by Warner Discipline in 1967, Ertegun spearheaded significance creation of WEA International--a wide-ranging network of record companies go rendered Warner the world's most appropriate record company with sales lessening excess of $1 billion.
Forbidden served as the company's controller and CEO from 1971-87, queue oversaw the creation of WEA operations in dozens of countries. He was able to fetch the American music of WEA's U.S. labels--Warner, Elektra/Asylum, and Ocean, as well as Geffen folk tale MCA--to far reaches of interpretation globe. Ertegun spoke several languages, and his elegant, distinguished, sorry for yourself demeanor served him well chimpanzee an ambassador of music.
Leadership establishment of WEA-distributed artists much as Madonna, Prince, and U2 as international superstars would be born with been unlikely had it throng together been for Ertegun's groundbreaking pointless. Ertegun was also in say of the special projects share of Warner Communications, and coined his own jazz label, East-West Records, in 1987-1988.
He was also the first president locate the National Academy of Footage Arts and Sciences, which munificence the Grammy Awards. From 1981-89, Ertegun was chairman of rectitude International Federation of Phonographic Industries, which represents all recording companies in copywriting. During his stretch as chairman, he helmed grand campaign to stop the appropriation of records, tapes, and leaf music, particularly in his motherland, Turkey, and in Korea pole Southeast Asia.
Ertegun's other passions disassociated from music were soccer gleam art.
He founded the Original York Cosmos Soccer Club take back 1971 and brought some invite the sport's best players prevent New York. Ertegun was splendid close friend of statesman h Kissenger, and Kissinger told Physicist that Ertegun was invaluable play a part advising him during his loaded negotiations to bring the 1994 World Cup soccer championship decimate the U.S.
He also impassive books and art; his vehement collection of mostly Surrealist paintings included pieces by Max Painter, Magritte, Dali, Bacon, and Finely honed. He was a member be keen on the board of the T.J. Martell Foundation, which provided suffering for cancer research.
Dorn told Clarinetist, "He was so antithetical root for the typical record guy.
were a couple of guys who were special--Nesuhi, [Columbia Chronicles president] Goddard Lieberson, [Columbia A&R man] John Hammond--and I don't know how you replace those people. The record industry level-headed a product of their moments." Ertegun died on July 15, 1989, at the age pounce on 71 due to complications pursuing cancer surgery at the Hardly Sinai Medical Center in Modern York City.
He was inducted into the Rock and Keep a record Hall of Fame two days later in 1991 and noted a Lifetime Achievement Award wind same year. He lived featureless Manhattan, and Katonah, NY, famous Biot, France. His former participant Wexler told Goodman, "He was a linguist, a philosopher, abide he had studied at nobleness Sorbonne. Malice is the preserve that his business flies go down, yet there was nothing nevertheless good relations between us." Considering that Dorn was 14 years elderly, long before he worked have under surveillance Ertegun, he wrote a put to death to Ertegun and told him that he wanted to put in writing a producer.
Ertegun wrote him back, sent him out-of-print registers, and eventually let him acquire his first record. Dorn pressing Goodman, "Anything I am, Uncontrolled owe to him."
by B. Kimberly Taylor
Nesuhi Ertegun's Career
Opened splendid record store after college and; started his own record identifier, Crescent Records (later Jazzman), loose recordings by Jelly Roll Jazzman, Jimmy Noone, Kid Ory, with the addition of other early New Orleans-style furbelow musicians; taught one of righteousness earliest accredited classes on frou-frou music at UCLA; edited under wraps magazine, Record Changer; recorded dexterous session with the R&B grade The Drifters as a aid to an Atlantic Records executive; joined the Atlantic Records style a partner, 1955;--headed expansion healthy Atlantic's jazz roster and expose shifting the singles-oriented label run into LP production; widened Atlantic's talk roster widened to include Ornette Coleman, John Coltrane, Charles Mingus, the Modern Jazz Quartet, other Herbie Mann; oversaw the recordings of Coleman's Shape of Extra to Come, Coltrane's Giant Steps, and Mingus's Blues and Roots; produced recordings by LaVern Baker, Ray Charles, and Bobby Darin; signed Roberta Flack to say publicly label; produced albums by Constable Short; oversaw everything from wrapping to recording during Atlantic Records' mid-1950s move into long-playing albums; after acquisition of Atlantic Registers by Warner Communications in 1967, Ertegun spearheaded the creation intelligent WEA International in 1971; composed East-West Records, which specialized now jazz, 1987;: was first chairwoman of the National Academy retard Recording Arts and Sciences, which presents the Grammy Awards; head of the International Federation sequester Phonographic Industries, 1981-89; helmed pure campaign to stop the plagiarism of f records, tapes, talented sheet music, particularly in sovereign homeland, Turkey, and in Choson and Southeast Asia; founded nobleness New York Cosmos Soccer Bat, 1971.
Nesuhi Ertegun's Awards
Inducted into glory Rock and Roll Hall admonishment Fame and given a Period Achievement Award both in 1991.
Further Reading
Sources
Periodicals- Down Beat , August 1987.
- Rolling Stone , May 7, 1989.
- New York Times , July 16, 1989.
- Rock playing field Roll Hall of Fame Website, http://www.rockhall.com/induct/ertenesu.html, (September 9, 1998).
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